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Intended for Elementary (K-6) Science Methods courses.

• This text emphasizes the value of consciously incorporating children's ideas and views in developing scientific literacy. Preservice teachers thus explore how science teaching and learning, based on prior conceptions and experiences, supports a more authentic way to generate scientific literacy. The teaching and learning approaches suggested by this text are founded on current philosophical, psychological, and socio-linquistic theories of learning.
• The text thoroughly describes the use of a four-phase common-knowledge construction model. The interactive phases of this model include: 1) Exploring and categorizing children's conceptions to determine their multifaceted ideas on which teachers can develop science lessons. 2) Constructing and negotiating meaning to develop shared knowledge and understanding using inquiry activities. 3) Translating and extending personal and social relevance of science knowledge using Science Technology Society (STS) and problem-solving models. 4) Reflecting and assessing for conducting on-going assessments and encouraging children to reflect on their learning.

• Sales Rank: #2223373 in Books
• Published on: 1997-09-29
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.00" w x 7.75" l,
• Binding: Hardcover
• 389 pages

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0 of 0 people found the following review helpful.
Five Stars
By NDC
Great!

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[Z543.Ebook] PDF Download Rebel Sell, by Joseph Heath

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The Rebel Sell is a concept set out in a book of the same name by Canadians Andrew Potter and Joseph Heath. The book takes to task anti-globalization themes such as consumerism and counterculture politics. Whereas Naomi Klein's book No Logo rallied for the counterculture political activist, The Rebel Sell has an ironic take. The concept subscribes to the view that the counterculture actually feeds consumerism, although the activist may think otherwise

• Sales Rank: #2495802 in Books
• Brand: Brand: CAPSTONE
• Published on: 2006
• Format: Import
• Original language: English
• Number of items: 1
• Dimensions: 7.76" h x .90" w x 5.20" l, 1.10 pounds
• Binding: Paperback
• 376 pages

Features

• Used Book in Good Condition

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6 of 7 people found the following review helpful.
Worthy of your time and consideration
By E. Lemieux
This book does say that there is a system. It says that the system exists to regulate the rules and realities around us. It argues that instead of wasting time by fighting the establishment through countercultural behaviour, we should make the effort to reform and improve the structures that exist.
It goes on to further show how counterculture behaviour cannot only arrest development, but that its antisocial ideas and actions can harm us. Instead of behaving like adolescents, pointing fingers at the corporations that only sell us what we demand, we should be building a better society through real political process. This distinguishes thoughts and actions between dissent and deviance.
Perhaps you're like me, having already read "No Logo" & "Fast Food Nation". You were a punk in high school and are still seeking ways to "smash the system". Instead of trying to destroy 2000 years of culture, as Atari Teenage Riot would have us do, we should follow the conclusions that the authors reach. This book actually offers sound advice, rather than simply complain. Their ideas are practical and realistic.
Anyone interested in evolutionary psychology will feel at home with terms like "competitive consumption". The authors recognize that our quest for status affects those around us. What they object to is when your aspirations begin to harm society, when it is threatened by zero-sum games. Your attempts at distinguishing yourself from the masses could not only be pointless, but damaging. See their sections on the prisoner's dilemma, where they expand on that borrowed concept.
The authors rarely self-identify during the book, and I found this single voice to facilitate the reading experience. It was a wise decision. Overall, the writing is excellent, especially considering the critical nature of the topic. They also include the word "smacktard", which should be added to your everyday conversation.

17 of 19 people found the following review helpful.
Defending social justice from counterproductive radicalism
By pmusaraj
The Rebel Sell is the most thought-provoking and enjoyable critique of contemporary social and political myths that I have read in a long while. It is carefully argued and extremely engaging. It's a ruthless critique of many icons of contemporary thought, from Klein to Foucault, from Marx to Freud as well as a fascinating interpretation of North-American culture, from American Beauty to Kurt Cobain, from alternative culture to environmentalists. And this is the exact reason why those involved social critique and political activism should read this.
The central argument of the Rebel Sell is simple: since the 50s and 60s, the problem with left-wing politics is that it misdiagnoses the source of problems in society. While the critique of mass society identifies the source of problems in the inhuman and deeply repressive nature of "the system", Heath and Potter argue that 1) there is no such thing as the system and 2) most problems in our society are "collective action problems". The book is excellent at demonstrating the deeply individualistic and entrepreneurial nature of counter-culture and at showing how it feeds, and not rejects, the 'system'.
I was personally fascinated by the role of 'collective action problems' and the left's failure to address them. For instance, the authors argue that the source of most violence in society is rational. Following Freud, the left has ignored this fact, and focused on emotions and instincts. Similarly, the authors argue that consumerism is very much a product of defensive competition in the struggle to maintain status in society. Hence, SUVs, gun ownership, tuition fees, etc. are 'collective action problems', the solution to which does not rest in individual choices, but rather in collective decision-making.
There is a lot more in the book than just this. The authors in fact do an impressively good job at moving from philosophical arguments to actual examples. The sections on the social construction of taste, the importance of cool as a positional good and the discussion of alternative lifestyle are fascinating. In addition, the book has a great index and a very accurate bibliography.
For anyone that is genuinely interested in the social problems of contemporary society, this book is a must-read. It is not a manifesto for political action: in fact, it's most successful achievement is the accurate critique of the most prominent movements and ideas of our time. It is fascinating (and deeply troubling) to see how hypocritical and misguided political movements have been recently. A focus re-shift is necessary, and here's where to start.

5 of 7 people found the following review helpful.
good idea bad execution
By C. Williams
don't get me wrong. the rebel sell has some great ideas in it, ideas about how we each reinforce the social system even at the same time we denounce it. ie. you can't refer to the masses unless you include yourself as well. The Rebel Sell is a good critique of the modern counter-cultural idea. But unfortuantely the book's concept is not well formed and readers may have a tough time trying to tie it all together.
The Rebel Sell suffers from terrible writing, endless pointless examples that had me dreading turning the next page, hoping in vain that I would find a stunning conclusion, and not just another dismissive tirade. let me give you an example of my biggest annoyance. One of the first chapters takes us through Freud's concepts on the mind and how they still influence our thinking and hence our cultural perspective today. It's a wonderful chapter that had me nodding my head, intriuged, until the chapter abruptly ends with 'but Freud was proven wrong and discredited, so there.' umm, what? care to elaborate? the authors make a lot of these statements. I think the authors mistook a plethora of examples for concrete arguments. the chapters themselves do not vary alot, and i found you could pick up any page, read a few paragraphs, find another page at random, and feel like you didn't miss a thing.
Also, the authors consistently come off as incredibly condescending, and I got the ironic impression that they were trying to start a counter-counterculture movement, or I'm so uber-punk that i've come full circle and wear a suit and work at Halliburton. Actually that sums up the book well.
but if you can get through the book and distill the concepts, it may change the way you look at all our various cultures, counter-cultures and subcultures.

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In this dramatic version of the traditional Jewish folktale, a poor man is unable to stand his overcrowded and noisy home any longer and goes to the Rabbi for advice. Includes instructions and patterns for making costumes, props, and puppets for introductory or intermediary activities.

• Sales Rank: #7420010 in Books
• Published on: 1998-01
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x 8.25" w x .25" l,
• Binding: Paperback

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0 of 0 people found the following review helpful.
Reader's Theater fun for Everyone!!!
By Romana Hudes
It Could Be Worse is a Jewish folktale written in Reader's theater/play format. This provides a great reading and learning opportunity for young readers. The repetetive text helped in supporting English learners in a classroom setting and also provided a thoughtful lesson on appreciating family that was valuable for all students. I could also see how 4th or 5th grade teachers could use this book to write a "Response to Literature" essay. I will enjoy sharing this play with my future elementary students and I know they will love performing it/writing about it!!!

0 of 0 people found the following review helpful.
It Could be Worse - A Jewish Folktale for Children
By Inge Weinberg
I borrowed a copy of this folktale and just loved the play format. It engages young children in the story and brings to life the characters. This is a wonderful way to teach oral language skills and a deeper understanding of the story.

0 of 0 people found the following review helpful.
It Could Be Worse, A Jewish Folktale Play for Children
By Lisa D
Great for actively engaging children, increasing language development, enhancing self esteem, with a good message for all. Would also be a great tool to use with English learners.

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Picking up where Pornucopia left off, our hero Prior Gross receives word that his ideal woman, whom he never knew existed, is in trouble! Off he goes to the Land of Fartingale where farts are magic!

A rollicking good time!

• Sales Rank: #358672 in eBooks
• Published on: 2015-08-27
• Released on: 2015-08-27
• Format: Kindle eBook

About the Author
New York Times-bestselling author Piers Anthony has written over one hundred books. His first fantasy, A Spell for Chameleon, won the August Derleth Fantasy Award for best novel in 1977, and commenced his acclaimed Xanth series.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent read!
By Syndal
I read this book first in high school and again as an adult. I enjoyed it even more this time around than the first. Exceptionally raunchy and testing of one's morals. Everything a good book should be, honestly. Piers Anthony really pushed it with this book (as well as the first!) and it came out amazingly. Glad to finally have it on my shelf to reread and enjoy whenever I want!

5 of 6 people found the following review helpful.
totally engrossing
By IM
couldnt put the book down! then again i was the same way with pornacopia. both books are well written an keep you engaged in the world pior has found himself in. hoping for maybe a third book?

2 of 2 people found the following review helpful.
Love Piers, different genre, BE Warned!!!
By T. L. Pistole
great light and fluffy content. NOT a Xanth book and not for younger fans! be warned, X-rated content inside but done like Piers, great book! though, just dont expect the pun filled Xanth series.

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The "expertly rendered, gripping new novel" (Janet Maslin, The New York Times) from the bestselling author of In the Woods and The Likeness.

Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping hisi family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his alcoholic father, nutcase mother, and generally dysfunctional family. He never went home again. Neither did Rosie. Then, twenty-two years later, Rosie's suitcase shows up behind a fireplace in a derelict house on Faithful Place, and Frank, now a detective in the Sublin Undercover squad, is going home whether he likes it or not. 

Getting sucked in is a lot easier than getting out again. Frank finds himself straight back in the dark tangle of relationships he left behind. The cops working the case want him out of the way, in case loyalty to his family and community makes him a liability. Faithful Place wants him out because he's a detective now, and the Place has never liked cops. Frank just wants to find out what happened to Rosie Daly-and he's willing to do whatever it takes, to himself or anyone else, to get the job done.


Look out for Tana French's newest novel, The Trespasser, which will be published by Viking in October of 2016.

• Sales Rank: #20495 in Books
• Brand: PENGUIN GROUP (USA)
• Published on: 2011-06-28
• Released on: 2011-06-28
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x .90" w x 5.50" l, .77 pounds
• Binding: Paperback
• 400 pages

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Stef Penney, author of The Invisible Ones, interviews Tana French

Stef Penney: You have created a tapestry of interlocking characters who all work in law enforcement in Dublin, and so far you’ve turned the spotlight on three different police officers. . . Do you have a favorite? Have you found some harder to inhabit than others?

Tana French: Frank Mackey in Faithful Place was by far the most fun to write because he’s got that dark, abrasive Dublin sense of humor that surfaces even--or especially--at life’s worst moments. The hardest to get into was Scorcher Kennedy, in my new book, Broken Harbour--I’ve just finished the edits. I think it’s to do with the gap between the way Frank saw him in Faithful Place, where he was a supporting character, and the way he sees himself. Frank sees a rule-bound, up-himself, irritating git; but from Scorcher’s point of view, he’s a man struggling desperately to do the right thing in a world where you have to trust in the rules because your own mind is too fragile and slippery to trust. There’s a huge gap between the two perspectives, and it wasn’t easy to switch. That perspective shift is one of the things I enjoy most about writing a series of books, where a secondary character in one book becomes the narrator in the next--it lets me explore the way truth can be mutable and subjective, shaped by people’s own needs as much as by objective reality--but it’s also the toughest part of it.

Penney: You’re known for writing about Dublin. Can you see yourself going anywhere else as the setting for a book?

French: I’ll be sticking with Dublin--for the foreseeable future, anyway. It’s the only city where I know all the little details--the sense of humor, the connotations of the accents, where to get a good pint and where not to go after dark. Setting a book in a place I didn’t know this intimately would feel very dislocated. I think crime is very deeply rooted in its setting--it happens everywhere but the form it takes is shaped by the fears and desires of the society where it happens--and so crime novels are rooted in setting, too. Both In the Woods and The Likeness deal with the relationship between past and present--how to balance the two without destroying either--and that’s a question that Ireland’s been struggling (and often failing) to deal with over the past twenty years. It wasn’t a deliberate choice to make the books “relevant”; it’s just that since the issue was a central part of the world I lived in while I was coming up with the books, it soaked into them. If I set a book anywhere else, that connection wouldn’t be there. Plus, I love Dublin. I care about its fears and desires with a passion that I don’t feel for any other place. Faithful Place, especially, is a love song to Dublin, its bad side as well as its good. I can’t imagine writing about somewhere I don’t care about so strongly.

Penney: The Mackeys in Faithful Place are extraordinarily vivid, but it’s a terrifying, bleak portrait of family life. Does this relate to anything in your life? Or, if not, what made you interested in writing about such a family?

French: Thank God, my family’s nothing like the Mackeys! I had an unfashionably happy childhood. But I’ve always been most interested in writing about things I don’t know about. That’s at the heart of Faithful Place, in a lot of ways. It’s about a big family, and a viciously dysfunctional one, neither of which I’ve experienced. And it’s also about a family that’s very deeply rooted in Dublin, and specifically in the centuries-old community of Faithful Place. Those roots have shaped everything the Mackeys are. I’ve always been fascinated by that kind of rooted life because it’s something I’ll never have--my parents have a handful of nationalities between them, I grew up in several continents, I’m an international brat. . . Writing about something so far from my own life is the closest I’ll ever come to understanding it.

Penney: Down to nuts and bolts: How do you write? Are you very disciplined? I imagine you must be since you’re quite prolific!

French: Hah, I wish. I’m not one of nature’s disciplined types. Back in college, I had a reputation for going into the library only to convince other people to come out for coffee, and I haven’t changed that much. Every morning, I fight the urge to call my friends and see if I can persuade anyone to come out and play. These days, though, my disciplined side almost always wins. I work six days a week, about seven hours a day. What makes the difference is that I love what I do and I feel ridiculously lucky to be doing it. After years of acting, where you’re dependent on other people to decide whether you’re allowed to work or not, being able to work every day feels like a massive gift. That considerably lessens the urge to goof off.

Penney: Any TV or film adaptations in the works? Because there should be! If yes, how did you find the experience?

French: Paramount has optioned The Likeness and In the Woods, and I’ve just heard that Likeness is in development. I’m not totally clear on exactly what that means, but it sounds very cool but slightly intimidating. I’m dying to see what comes out at the other end, but I deliberately didn’t even try to ask for any role in the adaptation process because anything I know about writing fiction is probably worthless when it comes to writing film. They’re such utterly different genres that the book’s going to have to change in ways I can’t begin to picture.

Penney: I loved the mythic quality of the backstory in In the Woods--and the fact that in the end you refused to answer the question. Did you encounter any resistance from publishers over the ending?

French: No resistance from publishers. I was expecting it, because the ending does break genre convention--I was all ready to argue my case that this was the only ending with integrity and anything else would be forced and artificial, sacrificing character truth for cheap closure. But none of the editors ever suggested changing it. I do get e-mails from readers who hate the ending. Fair enough; the genre comes with expectation of closure and the book doesn’t provide it, and some people have real trouble with that. But I also get e-mails from readers who love the ending and who would have been furious if I’d sacrificed that integrity in order to stick to the rules. There was no way I could have written something that would make both types of readers happy. All I could do was write the best book I could and hope there were enough people out there who like the same kind of thing that I do.

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• Published on: 2014
• Binding: Hardcover
• 875 pages

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