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[X184.Ebook] Fee Download Playgoing in Shakespeare's London, by Andrew Gurr

Fee Download Playgoing in Shakespeare's London, by Andrew Gurr

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Playgoing in Shakespeare's London, by Andrew Gurr

Playgoing in Shakespeare's London, by Andrew Gurr



Playgoing in Shakespeare's London, by Andrew Gurr

Fee Download Playgoing in Shakespeare's London, by Andrew Gurr

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Playgoing in Shakespeare's London, by Andrew Gurr

Andrew Gurr's classic account of Shakespeare's historical audience assembles evidence from the writings of the time to describe the physical, social and mental conditions of playgoing. In addition to revising and adding new material which has emerged since the second edition, Gurr develops new sections about points of special interest. Fifty new entries have been added to the list of playgoers and a dozen new quotations about the experience of playgoing. Second Edition Hb (1996): 0-521-58014-5 Second Edition Pb (1996): 0-521-57449-8

  • Sales Rank: #1206665 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2004-07-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .79" w x 5.98" l, 1.26 pounds
  • Binding: Paperback
  • 360 pages
Features
  • Used Book in Good Condition

Review
"...a staple in Shakespeare studies. Essential." P.D. Nelsen, Marlboro College, CHOICE

"This amusing glimpse into the habits of the London audiences, and the use to which Gurr puts it, are characteristic of his informative study." The Times Literary Supplement

About the Author
Andrew Gurr is Emeritus Professor, University of Reading. His many books include The Shakespearean Stage 1574-1642 (third edition 1993), Writers in Exile, Playgoing in Shakespeare's London (second edition 1996), The Shakespearian Playing Companies (1996), and (with Mariko Ichikawa) Staging in Shakespeare's Theatres (2000).

Most helpful customer reviews

6 of 6 people found the following review helpful.
Witty and information-packed
By Rory Coker
You've borrowed Mr. Peabody's time machine and come to London in circa 1600 to attend a play at the Globe. The riffraff, who paid a penny to get in, are standing around the stage for the full 3-hour performance... apprentices, sailors, rivermen, prostitutes, a cross-section of working London. But if you raise your eyes to the three tiers of boxes, what kinds of Londoners do you see? This is the question that Gurr investigates, in a way appreciative of the inherent great amusement to be found in the sources, in this extremely interesting book. And he also investigates how the audiences who attended plays at the bottom of the "social register" of playhouses, the Red Bull, differed from those who attended the other houses, up to and including the top of the mark, Blackfriars, where the King's Men played in Winter.

There is surprisingly little existing documentation that can be used to investigate, much less answer, these questions and Gurr supplies an analysis of the documentation, and then in two appendices, the documentation itself... a list of those who are known to have attended plays, and a list of quotations from sources of the time that bear on the composition and tastes of the audience. The book is scholarly, but Gurr's witty style makes it a pleasure to read as well. I particularly liked the vain playwright who could convince himself that that hissing noise was not the audience expressing disapproval of the stage business, but rather a large number of people simultaneously opening their beer bottles. [Were they drinking "Red Bull"?!?]

9 of 11 people found the following review helpful.
Detailed but interesting reading
By A Customer
I never knew until I read this book, how little is really known about playgoing in Shakespeare's time. Much has to be deduced from adding a letter here, to a playbill there, to an essay from somewhere else. Gurr is an excellent writer and does a great job in this book of making such a collection of details interesting reading. He also does an absolutely outstanding job of drawing conclusions based on evidence and not filling in the blanks with guesswork. He discusses the theaters, the actors, the audiences, dress, classes, and touches on dozens of contemporary topics including the plague, pickpockets and cutpurses, the weather, and prices. There are a couple of appendices with interesting lists of surviving documentary evidence regarding playgoing.

8 of 8 people found the following review helpful.
Accurate and meticulous description of Shakespeare's Theatre
By A Customer
An excellent book complete with little-known details about the state of the theatre in England during Shakespeare's time. A great source for those researching theatre and theatre history as well as reading up on Shakespeare himself. Highly recommended.

See all 3 customer reviews...

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